By Howard E. Smither
Continuing the procedure of the former volumes, Smither treats the oratorio in every one language and geographical zone through first exploring the cultural and social contexts of oratorio. He then addresses aesthetic concept and feedback, treats libretto and song quite often, and provides unique analyses of the librettos and tune of particular oratorios (thirty-one in all) which are of particular significance to the historical past of the genre.
As a synthesis of specialised literature in addition to an research of basic assets, this paintings will function either a springboard for additional examine and a necessary reference for choral conductors, soloists, choral singers, and others drawn to the historical past of the oratorio.
Originally released 2000.
A UNC Press Enduring variation -- UNC Press Enduring versions use the newest in electronic expertise to make on hand back books from our uncommon backlist that have been formerly out of print. those variants are released unaltered from the unique, and are offered in cheap paperback codecs, bringing readers either historic and cultural value.
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A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth and Twentieth Centuries by Howard E. Smither
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